Correspondences

Correspondences explores the dynamic relationship between natural forms and human perception. Inspired by the Japanese art of Suiseki and the anthropological writings of Tim Ingold, the series presents stones as active participants in the shaping of space and meaning.

Removed from their original contexts with care and awareness, the stones are not presented as isolated artifacts, but as sculptural presences engaged in a field of relations. Without the traditional wooden bases (Daiza) of Suiseki, their forms remain open – unframed, yet resonant.

This sculptural experiment extends my ongoing inquiry into more-than-human aesthetics. While photography is not central to this work, the visual logic remains: it is through composition, spatial attention, and the act of looking that these silent forms begin to speak.

Correspondences opens a space to reconsider the boundaries between art and nature, the made and the found, and to acknowledge the latent agency of materials we often overlook.